Senin, 31 Desember 2012

[P990.Ebook] Free Ebook Oxide Semiconductors, Volume 88 (Semiconductors and Semimetals)From Brand: Academic Press

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Oxide Semiconductors, Volume 88 (Semiconductors and Semimetals)From Brand: Academic Press

Semiconductors and Semimetals has distinguished itself through the careful selection of well-known authors, editors, and contributors. Originally widely known as the "Willardson and Beer" Series, it has succeeded in publishing numerous landmark volumes and chapters. The series publishes timely, highly relevant volumes intended for long-term impact and reflecting the truly interdisciplinary nature of the field. The volumes in Semiconductors and Semimetals have been and will continue to be of great interest to physicists, chemists, materials scientists, and device engineers in academia, scientific laboratories and modern industry.

  • Written and edited by internationally renowned experts
  • Relevant to a wide readership: physicists, chemists, materials scientists, and device engineers in academia, scientific laboratories and modern industry

  • Sales Rank: #6017242 in Books
  • Brand: Brand: Academic Press
  • Published on: 2013-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 6.10" l, .0 pounds
  • Binding: Hardcover
  • 360 pages
Features
  • Used Book in Good Condition

About the Author
Chennupati Jagadish is an Australian Laureate Fellow and Distinguished Professor at Research School of Physics and Engineering at the Australian National University, Canberra. He published more than 800 papers (530 journal papers) and edited many books, chaired many conferences and served many professional societies e.g. President of IEEE Nanotechnology Council; Vice-President, IEEE Photonics Society, Vice-President and Secretary Physical Sciences, Australian Academy of Science. He won many awards, e.g. Peter Baume Award, Boas Medal, IEEE Third Millennium Medal, Distinguished Lecturer Awards from IEEE Photonics Society, IEEE Electron Devices Society and IEEE Nanotechnology Council, Electronics and Photonics Division Award from Electrochemical Society, Distinguished Service Awards from IEEE Nanotechnology Council and IEEE Photonics Society. His research interests are in compound semiconductor optoelectronics and nanotechnology. He has trained more than 45 PhD students and about 50 post-doctoral and research fellows. He holds honorary appointments at UESTC, Chengdu, Tokyo University, Nanjing University and Anna University. He has collaborated and co-authored papers with scientists from 25 countries. He serves as an Editor of 3 book series and 7 journals and a member of editorial boards of 17 journals.

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Jumat, 28 Desember 2012

[E659.Ebook] Download Ebook Multimedia Foundations: Core Concepts for Digital Design, by Vic Costello

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Multimedia Foundations: Core Concepts for Digital Design, by Vic Costello

Understand the core concepts and skills of multimedia production and digital storytelling using text, graphics, photographs, sound, motion, and video. Then, put it all together using the skills that you have developed for effective project planning, collaboration, design, and production.

Presented in full color with hundreds of vibrant illustrations, Multimedia Foundations, Second Edition trains you in the principles and skill sets common to all forms of digital media production, enabling you to create successful, engaging content, no matter what tools you are using.

The second edition has been fully updated and features a new chapter on video production and new sections on user-centered design, digital cinema standards (2K, 4K, and 8K video), and DSLR and video camcorder recording formats and device settings. The companion website, which features a wealth of web resources, glossary terms, and video tutorials, has also been updated with new content for both students and instructors.

  • Sales Rank: #355347 in Books
  • Published on: 2016-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 7.50" w x 1.00" l, .0 pounds
  • Binding: Paperback
  • 500 pages

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1 of 1 people found the following review helpful.
Disappointed
By Conrad J. Obregon
My bad. Artists think that multimedia means the combining of visual and other elements to enhance the product of an artist’s vision. I didn’t understand that to communication people, this enhancing element was not part of the definition. As a result a perfectly fine book, aimed at communicators, disappointed me.

After an introduction that gives a quick course in understanding computers and explaining how to plan a project, there are chapters on the elements of design, page layout, user interface design and web design. This is followed by a discussion of static media, including text, graphics and photography. The time-based media section includes recording formats and device settings, audio production, video production and time based editing. There are lots of images and sidebars. The multimedia device used for many of the illustrations was a television news broadcast. Some of the chapters were written by guest authors other than Costello.

All of the information is presented at a basic, easily understandable level, aimed at people who have almost no familiarity with particular aspects of media. No one should expect that they will learn how to design a web page based on the information here. Instead, when a reader encounters a reference to one of the subjects covered here, he will understand it in general terms. That’s just fine for someone entering the communications field.

I particularly enjoyed the chapter on typography. Even though I was familiar with the structure of fonts, and even once ran a printing plant, I learned some new things about fonts. Unfortunately nothing told me how to select the best font to tell a story.

The material here is primarily descriptive, without reference to how the use of a particular media could optimize the telling of a story, and certainly not how use of one media could reinforce or enhance the story told by another media.

The book mentions a companion web site but when I tried to access it, I was unsuccessful. A representative of the publisher told me it had not yet been established.

Note: The publisher provided me with a review copy of this book at no charge.

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Rabu, 26 Desember 2012

[M185.Ebook] Download An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny, by Laura S

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An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny, by Laura S

An Invisible Thread tells of the life-long friendship between a busy sales executive and a disadvantaged young boy, and how both of their lives were changed by what began as one small gesture of kindness.

Stopping was never part of the plan...

She was a successful ad sales rep in Manhattan. He was a homeless, eleven-year-old panhandler on the street. He asked for spare change; she kept walking. But then something stopped her in her tracks, and she went back. And she continued to go back, again and again. They met up nearly every week for years and built an unexpected, life-changing friendship that has today spanned almost three decades.

Whatever made me notice him on that street corner so many years ago is clearly something that cannot be extinguished, no matter how relentless the forces aligned against it. Some may call it spirit. Some may call it heart. It drew me to him, as if we were bound by some invisible, unbreakable thread. And whatever it is, it binds us still.

  • Sales Rank: #4191 in Books
  • Brand: Simon & Schuster
  • Published on: 2012-08-07
  • Released on: 2012-08-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .60" w x 5.50" l, .55 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Great product!

Review
"I thought I knew what An Invisible Thread was going to be. I thought it would be a simple and hopeful story about a woman who saved a boy. I was wrong. It's a complex and unswervingly honest story about a woman and a boy who saved each other. By its raw honesty and lack of excess sentimentality, it is even more inspirational. This is a book capable of restoring our faith in each other and in the very idea that maybe everything is going to be okay after all." (Catherine Ryan Hyde, author of Pay It Forward and Jumpstart the World)

"An Invisible Thread—a remarkable story, told so beautifully and honestly—shows us what's possible when we are not afraid to connect with another human being and tap into our compassion. It is a story about the power each of us has to elevate someone else's life and how our own life is enriched in the process. This special book reminds us that damaging cycles can be broken and not to neglect the humanity of the strangers we brush up against every day." (Chris Gardner, bestselling author of The Pursuit of Happyness and Start Where You Are)

"A straightforward tale of kindness and paying it forward in 1980s New York . . . For readers seeking an uplifting reminder that small gestures matter." (Kirkus Reviews)

"According to an old Chinese proverb, there's an invisible thread that connects two people who are destined to meet and influence each other's lives. . . . As Schroff relates Maurice's story, she tells of her own father's alcoholism and abuse, and readers see how desperately these two need each other in this feel-good story about the far-reaching benefits of kindness." (Publishers Weekly)

"An Invisible Thread is like The Blind Side, but instead of football, it’s food. These are two people who were brought together by one simple meal, and it literally changed the course of both of their lives. This is a must-read . . . you can read it in a day because it’s impossible to put down. If you read it and find it as moving as I did, pay it forward: buy a copy and give it to a friend.” (Rachael Ray, host of The Rachael Ray Show)

“This book is a game-changer . . . each chapter touches your heart. An Invisible Thread is a gift to us all. America needs this book now more than ever.” (Coach Ron Tunick, national radio show host, The Business of Life)

“An incredible story . . . I would encourage everyone to pick up this book.” (Clayton Morris, host, Fox and Friends)

"If you have a beating heart—or if you fear you’re suffering a hardening of the emotional arteries—you really ought to commit to this book at the earliest possible opportunity . . . read this book. And pass it on. And encourage the next reader to do the same.” (Jesse Kornbluth Huffington Post)

"This is one of the most touching and refreshing and inspiring stories I have read in a long time. If you had made this story up, I wouldn’t have believed it, but it’s true. We all need something to inspire us, and I promise you, this book will make you want to stand up and do something nice for people. What a wonderful and needed story for all of us. An Invisible Thread is fantastic." (Mike Huckabee, Former Governor of Arkansas, Host of Fox News; Huckabee Show)

"A single moment of obedience by an ordinary person started a wonderful relationship and a better life for a poor street child. Maurice started to dream, because Laura showed him compassion and kindness. This is exactly what Jesus is asking his followers to do today in a broken world. An Invisible Thread is an example for each and every one of us, not only in South Africa but in every other country. This book can and will change the world." (Dr. Johan Smith, Pastor of Moreleta Church in Pretoria, South Africa)

About the Author
Laura Schroff is a former advertising executive who has helped launch three of the most successful start-ups in Time Inc. history—InStyle, Teen People, and People StyleWatch. Schroff has also worked as the New York Division Manager at People magazine and as Associate Publisher at Brides magazine. She lives in New York City.

Alex Tresniowski is a former human-interest writer at People and the bestselling author of several books, most notably The Vendetta, which was purchased by Universal Studios and used as a basis for the movie Public Enemies. His other titles include An Invisible Thread, Waking Up In Heaven, and The Light Between Us.

Excerpt. © Reprinted by permission. All rights reserved.
An Invisible Thread


“Excuse me, lady, do you have any spare change?”

This was the first thing he said to me, on 56th Street in New York City, right around the corner from Broadway, on a sunny September day.

And when I heard him, I didn’t really hear him. His words were part of the clatter, like a car horn or someone yelling for a cab. They were, you could say, just noise—the kind of nuisance New Yorkers learn to tune out. So I walked right by him, as if he wasn’t there.

But then, just a few yards past him, I stopped.

And then—and I’m still not sure why I did this—I came back.

I came back and I looked at him, and I realized he was just a boy. Earlier, out of the corner of my eye, I had noticed he was young. But now, looking at him, I saw that he was a child—tiny body, sticks for arms, big round eyes. He wore a burgundy sweatshirt that was smudged and frayed and ratty burgundy sweatpants to match. He had scuffed white sneakers with untied laces, and his fingernails were dirty. But his eyes were bright and there was a general sweetness about him. He was, I would soon learn, eleven years old.

He stretched his palm toward me, and he asked again, “Excuse me, lady, do you have any spare change? I am hungry.”

What I said in response may have surprised him, but it really shocked me.

“If you’re hungry,” I said, “I’ll take you to McDonald’s and buy you lunch.”

“Can I have a cheeseburger?” he asked.

“Yes,” I said.

“How about a Big Mac?”

“That’s okay, too.”

“How about a Diet Coke?”

“Yes, that’s okay.”

“Well, how about a thick chocolate shake and French fries?”

I told him he could have anything he wanted. And then I asked him if I could join him for lunch.

He thought about it for a second.

“Sure,” he finally said.

We had lunch together that day, at McDonald’s.

And after that, we got together every Monday.

For the next 150 Mondays.

His name is Maurice, and he changed my life.



Why did I stop and go back to Maurice? It is easier for me to tell you why I ignored him in the first place. I ignored him, very simply, because he wasn’t in my schedule.

You see, I am a woman whose life runs on schedules. I make appointments, I fill slots, I micromanage the clock. I bounce around from meeting to meeting, ticking things off a list. I am not merely punctual; I am fifteen minutes early for any and every engagement. This is how I live; it is who I am—but some things in life do not fit neatly into a schedule.

Rain, for example. On the day I met Maurice—September 1, 1986—a huge storm swept over the city, and I awoke to darkness and hammering rain. It was Labor Day weekend and the summer was slipping away, but I had tickets to the U.S. Open tennis tournament that afternoon—box seats, three rows from center court. I wasn’t a big tennis fan, but I loved having such great seats; to me, the tickets were tangible evidence of how successful I’d become. In 1986 I was thirty-five years old and an advertising sales executive for USA Today, and I was very good at what I did, which was building relationships through sheer force of personality. Maybe I wasn’t exactly where I wanted to be in my life—after all, I was still single, and another summer had come and gone without me finding that someone special—but by any standard I was doing pretty well. Taking clients to the Open and sitting courtside for free was just another measure of how far this girl from a working-class Long Island town had come.

But then the rains washed out the day, and by noon the Open had been postponed. I puttered around my apartment, tidied up a bit, made some calls, and read the paper until the rain finally let up in mid-afternoon. I grabbed a sweater and dashed out for a walk. I may not have had a destination, but I had a definite purpose—to enjoy the fall chill in the air and the peeking sun on my face, to get a little exercise, to say good-bye to summer. Stopping was never part of the plan.

And so, when Maurice spoke to me, I just kept going. Another thing to remember is that this was New York in the 1980s, a time when vagrants and panhandlers were as common a sight in the city as kids on bikes or moms with strollers. The nation was enjoying an economic boom, and on Wall Street new millionaires were minted every day. But the flip side was a widening gap between the rich and the poor, and nowhere was this more evident than on the streets of New York City. Whatever wealth was supposed to trickle down to the middle class did not come close to reaching the city’s poorest, most desperate people, and for many of them the only recourse was living on the streets. After a while you got used to the sight of them—hard, gaunt men and sad, haunted women, wearing rags, camped on corners, sleeping on grates, asking for change. It is tough to imagine anyone could see them and not feel deeply moved by their plight. Yet they were just so prevalent that most people made an almost subconscious decision to simply look the other way—to, basically, ignore them. The problem seemed so vast, so endemic, that stopping to help a single panhandler could feel all but pointless. And so we swept past them every day, great waves of us going on with our lives and accepting that there was nothing we could really do to help.

There had been one homeless man I briefly came to know the winter before I met Maurice. His name was Stan, and he lived on the street off Sixth Avenue, not far from my apartment. Stan was a stocky guy in his midforties who owned a pair of wool gloves, a navy blue skullcap, old work shoes, and a few other things stuffed into plastic shopping bags, certainly not any of the simple creature comforts we take for granted—a warm blanket, for instance, or a winter coat. He slept on a subway grate, and the steam from the trains kept him alive.

One day I asked if he’d like a cup of coffee, and he answered that he would, with milk and four sugars, please. And it became part of my routine to bring him a cup of coffee on the way to work. I’d ask Stan how he was doing and I’d wish him good luck, until one morning he was gone and the grate was just a grate again, not Stan’s spot. And just like that he vanished from my life, without a hint of what happened to him. I felt sad that he was no longer there and I often wondered what became of him, but I went on with my life and over time I stopped thinking about Stan. I hate to believe my compassion for him and others like him was a casual thing, but if I’m really honest with myself, I’d have to say that it was. I cared, but I didn’t care enough to make a real change in my life to help. I was not some heroic do-gooder. I learned, like most New Yorkers, to tune out the nuisance.

•  •  •

Then came Maurice. I walked past him to the corner, onto Broadway, and, halfway to the other side in the middle of the avenue, just stopped. I stood there for a few moments, in front of cars waiting for the light to change, until a horn sounded and startled me. I turned around and hustled back to the sidewalk. I don’t remember thinking about it or even making a conscious decision to turn around. I just remember doing it.

Looking back all these years later, I believe there was a strong, unseen connection that pulled me back to Maurice. It’s something I call an invisible thread. It is, as the old Chinese proverb tells us, something that connects two people who are destined to meet, regardless of time and place and circumstance. Some legends call it the red string of fate; others, the thread of destiny. It is, I believe, what brought Maurice and me to the same stretch of sidewalk in a vast, teeming city—just two people out of eight million, somehow connected, somehow meant to be friends.

Look, neither of us is a superhero, nor even especially virtuous. When we met we were just two people with complicated pasts and fragile dreams. But somehow we found each other, and we became friends.

And that, you will see, made all the difference for us both.

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273 of 283 people found the following review helpful.
Wonderful
By Silver's Reviews
Maurice had never met anyone like Laura and Laura had never met anyone like Maurice. They were from two different worlds. Laura doesn't know why she stopped and turned back after Maurice asked her for some money, but she is glad she did.

Through Maurice, Laura learned about the life he and thousands of others were living on a daily basis....not a pleasant life at all. Laura was helping Maurice to live a better life at least one day a week, and it seemed to be paying off since she could see a change in him even though he had to go back to his horrible living conditions after he left her.

As well as learning about the living conditions of others, the author also gave the reader a chance to find out that her childhood/family life was not very easy.....her father was an abusive alcoholic, and her mother sat by not being able to defend herself or her children. Obviously the author's childhood and the childhood of her brothers and sisters had an impact on their entire life and on her decision to turn back and fulfill Maurice's plea for help.

The descriptions in the book are very detailed and heartbreaking but also heartwarming. You will become a part of the lives of every character and you will feel their pain and happiness.

An Invisible Thread is the perfect title for this book. The book brought to the surface that we all have a connection to other human beings even though that connection may not be outwardly visible.

I truly enjoyed the book because of the honesty of feelings and of human kindness and human connection. This is a must read. Laura Schroff is a brave woman to reveal all this about her life, but it definitely will make you realize that no matter how small the gesture may be, we can make a difference for someone else. 5/5

135 of 143 people found the following review helpful.
more complex than you might initially think
By a long way from home
I was very torn throughout the reading of this book. Once I finished reading I turned to the user reviews on amazon to see what others thought. I found myself agreeing with both the positive and negative reviews which made me sit back and think long and hard about things.

What drew me to the book was not just the story, but the fact that the first editorial review stated that there was a "lack of excess sentimentality" As far as my tastes go, I don't like gratuitous sentimentality so that simple statement was a ringing endorsement. But the book IS sentimental, sometimes overly so, and, as other less favorable reviews have pointed out, there is a self congratulatory undercurrent at times. There were points in my reading of An Invisible Thread that I would have hurled the book across the room in frustration. The fact that I was reading on the kindle app for my android phone was probably the main reason for my restraint. The author was often the hero in her stories and I found myself wondering how much of a role revisionist history played in her retelling of her childhood and even certain scenes with Maurice. Or maybe not. There are already too many spoilers here in these user reviews so I am not going to give anything away, but suffice it to say that when Laura met Michael I was so angry I wasn't sure I would finish the book. Sure, she talked about her struggles with her decisions but I think I didn't always believe her. There we a few other instances of cowardice in the book that made me cringe but then I had to ask myself whether I would be any less cowardly in some of these emotionally difficult situations. Unfortunately, the answer is probably, NO. Edit* I should note, that along with what I am calling cowardice, Laura also showed incredible bravery and/or courage.

What I finally realized was that no matter how frustrated or angry I became at times, something was keeping me glued to this book. I am a truly terrible reader and always have been. Slow, distractible and easily bored. I can't remember the last book I read in one day. This one I read in half a day, losing precious hours of sleep as I dug deeper and deeper into the story. I loved Maurice. His indomitable spirit in the face of the overwhelming odds against him was just a joy to watch unfold. If I am honest with myself I would have to say that I ended up loving Laura as well. I didn't always like her but what she did for Maurice can't be denied no matter what you decide her motives were. Does it lessen the gift when the giver is also the receiver? I don't think so. Laura gave so much to Maurice and got so much back in return. I don't think we need to penalize her for the fact that in the process of saving Maurice, she managed to save herself as well. Isn't this precisely how so much of life works? Laura is multifaceted and as I turned pages I found myself with myriad emotions about her -- most of them quite positive. In fact, I would like to meet her and find out more of the story that didn't fit in these pages.

We humans are such complex creatures. To sum either one of these two characters up as either privileged, underprivileged, self serving, selfish, innocent, lovable, a victim, cowardly, a hero, a superhero, courageous, or sentimental, is to miss the fact that they are all of the above and then some. They are human. Flawed. Did Laura and Maurice always have pure motives for all the decisions they made? Probably not. I don't know anyone whose motives are always pure. Some reviewers question why Laura wrote the book if not for self congratulations. Maybe. Or maybe she knew she had a good story to tell. The fact that it painted her in a good light is just part of the tale. She DID do a good thing. Don't lose sight of that fact just because at times she seems to feel good about herself. She ought to feel good. It was a potentially miserably unhappy story with a warm and fuzzy ending (FYI - I usually hate warm and fuzzy endings). She did something that most people would not have done and she did it with conviction (and more than a bit of blind faith).

I don't know why Laura (and Alex) chose to write the book. I don't know whether she simply had a story to tell or whether she needed more self validation. I don't actually care WHY she wrote it. I care THAT she wrote it. It comes at a time in our lives when apathy is rampant and relationships are more fragile than ever. Was this a brilliant piece of writing? No, not at all really. Again, I don't really care. It was a simple story (albeit with some complex emotions) simply told. I enjoyed the journey and am finding the thoughtful aftermath more rich and colorful than I had expected.

Bottom line: I recommend the book.

126 of 134 people found the following review helpful.
I Wanted to Love It, But...
By Louisa M
God bless Laura Schroff and Maurice Maczyk. An Invisible Thread tells their story; Laura, a successful NY career woman, and Maurice, the young 11-year-old panhandler, whom she helped and befriended. Her initial act of kindness, and the lessons they taught one another and share here, are indeed inspiritional, and hopefully will help to change many lives for the better.

But parts of this book are difficult to read. The description of the welfare hotel where Maurice lived at one time is horrifying; the abuse that Laura and her family suffered at the hands of her alcoholic father is even worse. I must applaud the author for her honesty...although she does pat herself on the back a little too often, she also gives other people credit where due, and admits if she made a mistake.

There are many small details (for example, the brown bag lunches, and the bicycle) which add heart to the story, but then other chapters jump ahead abruptly, and suddenly the reader is two years in the future without knowing what transpired in between. Also, the editing could have been better...if Maurice is on a bike, he should "pedal" away, not "peddle," as it is spelled in the text.

For me, almost the saddest part of the book was the following sentence: "He (the suthor's husband) even relented and allowed me to invite Maurice to our home for Christmas one year." Allowed her? Wasn't it her home also? It is obvious that Laura and Maurice have always had a special relationship; what a pity that they were forced to miss any time together at all.

The photo inserts are helpful, and a nice addition, as is the follow-up interview with the author.

Ms. Schroff states that the book idea grew from a magazine article. It is a good book, but not great. Borrow it from the library, and use the money you would have spent on a purchase to perform your own act of kindness. I wish Laura, Maurice, and their entire extended family all the best.

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The Bill of Rights (American Symbols), by Norman Pearl

Which freedoms do Americans hold most dear? The Bill of Rights is a list of important freedoms shared by everyone in the United States. Join President James Madison to find out how the Bill of Rights came to be. Also, discover what it means to people today.

  • Sales Rank: #747100 in Books
  • Brand: Brand: Picture Window Books
  • Published on: 2007-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.31" h x .8" w x 8.81" l, .26 pounds
  • Binding: Paperback
  • 24 pages
Features
  • Used Book in Good Condition

About the Author
Norman Pearl has written 10 children’s books. He writes on both science and social studies topics and can’t decide which he likes better. Norman lives in tropical Miami, Florida, with his wife and son. They have a small, white, fluffy dog named Max. Max thinks he is human, so the four of them go just about everywhere together. Norman usually writes his books under a palm tree while sipping lemonade. When he needs a break, he jumps in the pool for a swim. Usually, the rest of the family follows him in.

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0 of 0 people found the following review helpful.
Excellent series.
By Boulder, CO
This book, and the other books in the same series, are wonderful for children. Excellent illustrations and lots of the most important introductory level information on each topic is presented in a fun way.

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[N749.Ebook] Ebook Kompetenzorientiert unterrichten - Das AVIVA-Modell: Fünf Phasen guten Unterrichts (hep praxis) (German Edition), by Christoph St&aum

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  • Sales Rank: #3917524 in eBooks
  • Published on: 2013-01-08
  • Released on: 2013-01-08
  • Format: Kindle eBook

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Blood Sugar Canto, by Ire'ne Lara Silva

  • Sales Rank: #692500 in Books
  • Published on: 2016-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .24" w x 5.98" l, .35 pounds
  • Binding: Paperback
  • 100 pages

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0 of 0 people found the following review helpful.
Beautiful, raw
By N. Sylvester
Beautiful, raw, and bold. ire'ne's voice is fearless and powerful, sometimes vulnerable but always strong. Her words constantly take my breath away as I read them.

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  • Sales Rank: #14419886 in Books
  • Published on: 1963
  • Binding: Hardcover

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  • Sales Rank: #3565770 in Books
  • Published on: 1985
  • Original language: Spanish
  • Dimensions: 7.80" h x .59" w x 5.04" l,
  • Binding: Paperback
  • 256 pages

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0 of 0 people found the following review helpful.
Miss Read's "Thrush Green" Books Always Good
By M. Isaacs
I enjoyed reading this, and adding it to my growing Miss Read collection of books set in "Thrush Green". Will read it many times over.

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My wife loves this book.
By steamduck43
My wife loves this book, and the Thrush Green series.

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My Recollections of the War, a Virginia Sergeant's Memories; Confederate Civil War Battle Story, by Sgt. Fountain Shakelford

"My Recollections of the War" by Sgt. Fountain Shakelford of the 36th
VA INF REGT., Mountain Riflemen, is a kind of "Cold Mountain" book for
the Confederate soldier, in that it is an intimate, authentic diary of day-to-day life of a soldier with the insights and emotions that come from war. He begins his journey full of hope, born in the state of Virginia, which will become the state of West Virginia, and fights his first battle on his home ground, Carnifex Ferry, VA [WV], which is a stunning win for his Confederate Gen. Floyd. His journey spans from Tennessee to Washinton City [D. C.], and is fraught with danger and violence, marching, fighting, and hardship, and a severe wound to his face. In between is courtship and a "wee bit of mountain dew" and camp shenanigans. Towards the end of the war he visits in his father in the mountains of Nicholas county, only to leave on the run through the woods after dark. And, in the end, he talks about the confusion on the day of Lee's surrender, and the "bloodshed and carnage the like, which had never been witnessed on this continent."
22 chapters

  • Sales Rank: #1705479 in eBooks
  • Published on: 2012-04-29
  • Released on: 2012-04-29
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
First Hand Account
By Jsmith
It took less than an hour to read, so checking it out was quick and educational. Because the book is short, you can get the whole story of the War from the author’s perspective in a heartbeat – certainly in one short sitting.
Fountain Shakleford was a young man in what is now (unfortunately) West Virginia. Volunteering early in the war with just under 100 men from his town, he went to serve in the local Nicholas County unit led by Captain John G. Newman, which was Company F of the 36th Virginia Infantry Regiment – or the Mountain Riflemen.
The 36th Virginia spent most of the War in West Virginia and the Valley, missing most of the terrible fighting which fills the history of the Army of Northern Virginia. Shakleford does have a lot of info on Early’s movement on Washington DC in the summer of 1864, and Sheridan’s reprisals in repayment for that raid.
In this folksy story, he describes the enthusiasm and mischief his unit had early in the War but by the end it’s a more depressing story – after being wounded he comes back to his company and doesn’t recognize it, since there are so few of the original men and so many conscripted replacements. He describes coming out of one fight with no surviving officers – he doesn’t say so, but he is the senior leader in the company as Orderly Sergeant (First Sergeant). There are many tales of his shenanigans – stealing a watermelon and making deals to get food and shelter where it is hard to find. Clearly he was a fast talker who cared deeply for his men and did what he could to take care of them – legality being a secondary consideration.
At the end of the book, there is a short summary of the unit filling in a handful of details to help the reader understand the story. I found this very helpful since it covered a few gaps in the original text.

0 of 0 people found the following review helpful.
Diary of Operations of the 36th VA INF REGT, Company F
By John M. Johnson
This is an intimate look at the life of Civil War soldiers. Three of the brothers of my direct ancestors were in this unit. One, SGT Isaac Prottsman Hughes, was killed at Piedmont, VA 5 June 1864 by artillery fire. Alexander Wiseman was captured at Piedmont and held as a POW at Camp Morton. Natus Nutter was a POW at Camp Chase, exchanged in March 1863, and later wounded at Piedmont. Both survived. This diary, along with the 36th Virginia Infantry, of the Virginia Regimental Histories Series, gives a good understanding of the day to day events, big and small, in the lives of the men of the 36th. It is a treasured possession, even on Kindle. Several Chapters have been lost, but this does not detract from the Diary.

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[K340.Ebook] PDF Download Fountain Pens of Japan, by Andreas Lambrou, Masamichi Sunami

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Fountain Pens of Japan, by Andreas Lambrou, Masamichi Sunami

Fountain Pens of Japan, by Andreas Lambrou, Masamichi Sunami



Fountain Pens of Japan, by Andreas Lambrou, Masamichi Sunami

PDF Download Fountain Pens of Japan, by Andreas Lambrou, Masamichi Sunami

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Fountain Pens of Japan, by Andreas Lambrou, Masamichi Sunami

Sequel to Fountain Pens of the World. Provides a comprehensive history of the fountain pen and its Manufacturers in Japan. Includes 1700 pictures. Emphasis is given to the art of Lacquering and the art of Maki-e. This book is an indispensable sourcebook for collectors, and devoteees of Fountain Pens in general

  • Sales Rank: #685018 in Books
  • Published on: 2012-04
  • Dimensions: 9.00" h x 1.50" w x 12.50" l, 5.95 pounds
  • Binding: Hardcover
  • 448 pages

Most helpful customer reviews

9 of 9 people found the following review helpful.
Another major work by Andreas Lambrou, author of Fountain Pens of the World
By PenHero
Andreas Lambrou has brought out another major work to complement his growing library of pen books. His landmark book, Fountain Pens of the World, was released in December 1995, and had two reprints, in 1998 and 2005. A true coffee table book, in hard cover large format, measuring 12 x 9 inches with 448 pages, it was notable for its superb life size photography and narrative historic writing style and is treasured by many pen collectors.

Fountain Pens of Japan is the fourth major pen book by Andreas Lambrou, and is a collaborative effort co-authored with Japanese pen collector Masamichi Sunami. The two have worked together since 1980 and have long collaborated on Japanese pen projects. The book has been ten years in the making and is now being released.

I saw the first copy at the Washington, DC pen show on August 11, 2012 and am very impressed with the presentation and content. This book will deliver hours of interesting reading to any pen collector, but particularly those who are interested in Japanese and limited edition pens.

The specifications of the book will give some view of the size and scope (from the publisher's website):

- Large format, hardbound cloth with dust jacket, 12 x 9 inches , 448 pages.
- History of the fountain pen and its industry in Japan from around 1880 to the present. Major and minor manufacturers are covered. Pens, inks, ephemera and equipment used for hand pen manufacture in earlier eras are detailed.
- Materials and techniques to embellish pens, are extensively discussed.
- Customized pens for the Japanese Trade and pens made or embellished in Japan, for other makers are included.
- Professional photography throughout the book depicts the pens life size for easy identification.
- A large number of prototypes not documented before are included.
- More than 1,700 images are detailed, of these more than 500 vintage and modern pens, have not been previously documented in a book on pens.
- In his preface, Yoshinobu Akiyama,General Manager, Sailor Pen International states:.

The table of contents touches on aspects of collecting Japanese pens, including:

- Lacquer and the art of Maki-e
- Minor manufacturers - and there are many
- Major manufacturers, including Pilot-Namiki, Platinum, Nakaya, and Sailor
- Customized pens, including Classic Pens, Dani, and Parker

There are many brilliant photographs, including details on how a Maki-e pen is produced that will delight collectors. Many photos of unusual pens seldom seen outside of Japan, gathered from the personal collections of Japanese collectors and much more.

This is a major work for pen collectors and should be in any library that focuses on fine pens and the art of Maki-e.

6 of 6 people found the following review helpful.
The Ne Plus Ultra for collectors of Japanese fountain pens
By Richard Binder
Renowned authority Andreas Lambrou and Japanese pen collector Masamichi Sunami have nailed it. Ten years in the making, their new Fountain Pens of Japan is another must-have volume in Lambrou's growing oeuvre.

Having eagerly awaited the arrival of FPOJ, I was more than a little astonished when it did arrive at the Washington DC Fountain Pen SuperShow in August 2012. It's BIG. It's the same coffee-table size as Lambrou's indispensable classic, Fountain Pens of the World -- yet only Japan is represented. Lambrou and Sunami have gained access to places and materials that we ordinary mortals will never have the opportunity to see in person, and the result is spectacular.

Laid out cleanly and written very readably, this is one comprehensive treatise: Dealing with both vintage and modern pens, it covers the four major Japanese manufacturers in 182 pages and devotes another 118 pages to two dozen smaller companies. Another 52 pages provide an introduction and an extensive discussion of lacquer and the art of maki-e, and the book is rounded out by 72 pages about customized pens. There is a lot of reading pleasure to be had here.

Everything about the book is beautiful, from the dust jacket to the paper and printing, to the more than 1,700 photos illustrating hundreds and hundreds of pens (all life size, and many never before documented), tons of ephemera, and so on. I don't consider myself a collector of Japanese pens, but I do have a few, and I have already, in less than a month, learned more about them than I knew before I got the book. And I'm barely started.

If you collect Japanese pens, you cannot do without Fountain Pens of Japan. If you don't, maybe you should. Then you'd have an excuse to buy FPOJ.

6 of 6 people found the following review helpful.
The next best thing to owning the pens
By BPen
I have had my copy of Fountain pens of Japan for a week now and have read it for the first time. This is the most authoritative source for collectors and admirers of Japanese fountain pens and the finest book on fountain pens I have seen. It is clearly also a labour of love for the authors, who have contributed not just their knowledge but also their love for the art of Japanese pens and pens from their own collections. Reading it for the first time has not only increased my knowledge but also made me look at my Japanese pens afresh. But as a collector of limited means the book is the next best thing to owning the pens because owning the book I have a collection of hundreds of full colour, life size pen pictures.

The book starts with a beautifully illustrated introduction to the history of pens in Japan, as they began to replace the traditional brushes. The beauty of Japanese calligraphy required nibs with capabilities far beyond the nibs used in Europe and America. The next chapter takes us through the different techniques of Japanese lacquer work and of the artists who produce the unique marriage of the fountain pen with these traditional techniques. The illustrations in this chapter are stunning, as they show the way the work is built up. Reading this chapter a second time, I am still amazed by the way the artists can work on a design or picture when the "canvas" is not flat but a small tube.

Then the authors take us on a tour of the pen makers, first of the smaller manufacturers and then the four majors, Pilot-Namiki, Platinum, Nakaya and Sailor, illustrated with hundreds of life-size pictures alongside the text.
The book closes with a chapter on "Custom Pens", expensive pens produced in small numbers for collectors, using Japanese artists and craftsmen.

This is a book I know I will never tire of reading, referencing and just browsing through the pictures. And who knows, it may also be a catalogue for ways to spend a (large) lottery win in the future.

See all 13 customer reviews...

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